During the concert there were presented 8 audiovisual works:

• El náufrago de la aurora by Blas Patri from Spain: In reference to the many shipwrecked people who arrive at the European coasts of the Mediterranean, the castaway of the aurora was recorded before dawn on a Mediterranean beach (El Saler, València), with dancer butō Denis Sanglard.. The work is based on the incessant shooting of the character from the water to the beach, sometimes disappearing, but always reiterating the journey, as a metaphor for the flow of people that does not stop, and that does not always manage to arrive. Faced with this repetition of the journey, the landscape evolves with a clear reference to pictorial expressionism, going from a red sea on black to different color variants to the final white where the action vanishes. The music-image congruence of visual music  has been generated through sound processing, also made from sounds captured on the beach, changing from a realistic representation to a deformation that accompanies the transfiguration of the landscape. In The Shipwrecked I have also resorted to the sound of the waves on the beach, but having the image a non-naturalist treatment but clearly expressionist, with deformations of colors and light that are extreme, the sound has also been processed in a way non-naturalist, using resonant filters that maintain the temporal structure of the sound but deforming the frequency and generating "drones", while also prolonging the sound like a reverberation, which is equivalent to the light processing of motion blur that has been applied to the image.

• Nothing-nomenings by Zach Dieron frontera United States: is a multimedia collage of found sound and found video. In my collages, I meld samples together to create new and unique entities - gestalts. Hundreds of sound and video clips are churned together, each providing their own distinct identity. The exact quality of every recording - the hiss, the static, the color - is kept intact. The samples represent exactly themselves, snippets of recorded media, no more and no less.

• Ruin by Matt Petty from United States: is an indigenous turned colonial trading route that connects Mexico's urban center of CDMX to the rural outpost of Natchitoches, Louisiana. This path has seen centuries of social change and pain connecting the countries of USA and Mexico, which continues to this day. "Ruin" is the first piece in this series which uses field recordings from Mexico City's historic district blended with sounds made in the ruins of an abandoned school for African-American's in Natchitoches.

• Zwei Planquadrate by Bernd Schuman from Germany: Two short cinematographic essays about the nature of destruction and the absurdity of human ambition.

• Engi (2017) by Julián Scordato from Italy: is the transliteration of a Japanese term that means 'acting' and 'performance', but is also part of the English word 'engine' (mechanical device), from Latin 'ingenium' (virtue of making). It is  based on the sonification of stellar data represented as graphical objects in relation to sounds. Point and counterpoint. In the performing act, each element manifests itself in its unique particularity. Translation, transmission, and transposition. Hence, also lapse and error.

• I looked at the pieces and still I wonder by Adam Lenz frontera United States: In looking back at our memories, we are left to reassemble the pieces and evaluate the moments. Often times the results leave us uneasy as we consider how the circumstances and outcomes could have been different. As we resurrect these moments, however, we often fight to reshape them as a way of coming to terms with the power that they hold over us.  The sound for the work is produced from a single wind chime sample that has been heavily manipulated and processed. The video is constructed from still images that are broken down through an altering of the hexadecimal code. No color corrections or alterations have been made following the code deterioration. After these minimal materials are destroyed, they are carefully reconstructed to form a new, reworked memory.

• Chemistry of love byMarzena Majcher from Poland: The inspiration to create music are the chemical substances, responsible for the state of falling in love, which are commonly called - "Chemistry of Love".
  Title parts: I Dopamine (4'10"), II Phenylethylamine (4'30"),VI Endorphins (6'20")

• Wake me when we get there by Davis Jason Snow from Poland: British scholar Paul Rennie has noted that a train journey offers an experience similar to that of cinema: a distanced, voyeuristic platform for observation of the world, and a systemic organization of time and motion. Rennie notes that this experience of being "on track” Is both comforting and disconcerting to the passenger, who abandons the autonomies of modernist identity in favour of being driven, provoking a powerful, terrifying sense of the train being unstoppable.